Fast planes, deadly dogfights, brave pilots: the Battle of Britain has no shortage of heroes. So as I sat down to write Taking London, the first challenge was figuring out which individuals would help tell the story, Winston Churchill was the obvious choice to be a primary character. He's the tentpole on which the narrative rests. Air Marshal Hugh Dowding was also indispensable. Though relatively unknown in America, his brilliance has led to monuments and postage stamps in his honor in England.
Taking London comes out seven weeks from Tuesday. I've been doing this a long time so I know it's best to try not to think about it. The gestation cycle is so long between finishing a book and seeing it in print. I will be euphoric and perhaps weep when I receive my first box of finished copies, cracking it open to hold the new book in my hands for the first time.
Taking London is the best thing I've ever written. These past two weeks making one final edit were like Christmas. I'd literally wake up at 3 a.m., eager to find better ways to tell the story. Then I'd force myself to go back to sleep, reminding myself a rested edit is a sharper edit. I'd dream about the characters, letting them tell me more about their arc.
